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Playing Piano Is Fun Book 2


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Editor/Author: Alice Chua
Instrument: Piano
Category: Method & Tutor
Publisher: Rhythm MP
Item Code: MPP-4003-02
Bar Code: 9 789679 856170
ISBN-10: 967-985-617-8
ISBN-13: 978 967985617 0
Total Pages: 64 (+ stickers)
Weight: 290g
Book Size: 225mm x 300mm (Landscape)
Binding: Limp Bound (limp thread sewn)

Description: 'Playing Piano Is Fun' is a keyboard tutor series for beginners. It is designed to meet the developmental needs of children as they journey through the wonderful world of music. The tunes are specially composed by Alice Chua, and are based on the characters and subjects from the classic stories of Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll. The literary experience is translated into the language of music with the intention of awakening the musical interests of children.

'Playing Piano Is Fun' is a novel approach developed through the author’s practical experience derived from teacher-pupil interaction. The large music font size captures the students’ attention and helps them to focus. Meanwhile, pages are left intentionally without pictures to encourage students to further express their creativity by providing illustrations for the songs themselves. New elements are introduced incrementally and are incorporated progressively. Teacher’s accompaniment is encouraged to enhance the musical experience, thus inspiring and motivating students. Some suggestions for the enhancement of the teaching elements can be found inside the front cover. In addition to playing piano, this series’ unique approach includes listening, singing, transposing, harmonising, improvising and composing at an early stage.

Pages include:
Cheerful stickers simply for FUN as the series are called!
1. Title page and copyright notices
2. Foreword
3. About the Author
4. Dedication
5. Contents
Part One:
6. Space Notes in the Bass Clef
7. Stepping Up and Down The Looking-Glass
9. Skipping Up and Down The Looking-Glass
11. The Little Voice of Gnat
13. Rocking-Horse-Fly
15. Snap-Dragon-Fly
17. Bread-and-Butter-Fly
Part Two:
18. Higher C, D, E, F & G on the Treble Clef
19. Tweedledum and Tweedledee
21. Tweedledum’s ‘Nohow!’
22. Staccato
23. Tweedledee’s ‘Contrariwise!’
25. Tweedledum’s White Rattle
Part Three:
26. C, D, E, F & G on the Bass Clef
27. Music by Fiddles and Fiddle-Sticks
29. The Tricky Walrus
30. Repeat Sign
31. The Cheeky Carpenter
33. A Very Long Poem
Part Four: Chords & Intervals
34. C & G7 Chords
35. Dancing Baby Oysters
37. Waltzing Baby Oysters
38. F Chord
39. Baby Oysters Cha-Cha-Cha
40. Intervals
41. Trotting Baby Oysters
Part Five: Scales & Broken Chords
42. C Major
43. Scaling Up to Humpty Dumpty’s C House
44. Broken Chord of C Major
45. The Lion and the Unicorn
46. G Major
47. Scaling Up to Humpty Dumpty’s G House
48. Broken Chord of G Major
49. Messengers Haigha and Hatta
50. D Major
51. Scaling Up to Humpty Dumpty’s D House
52. Broken Chord of D Major
53. Ham-Sandwiches and Hay
54. F Major
55. Scaling Up to Humpty Dumpty’s F House
56. Broken Chord of F Major
57. Looking-Glass Cake
Part Six: Concert Pieces
58. Shaking and Waking (Duet)
60. The King’s Memorandum Book (Duet)
62. Manuscript

About the Author

Alice is a passionate and enthusiastic musician, a versatile arranger, composer and music author. To this date, she has written many music books, used extensively in Asia and the United Kingdom. She is also an examiner with the London College of Music.

Whilst living in Malaysia and Singapore, Alice was Chief Music Instructor for Yamaha Music Asia. She opened new music schools in Singapore, Malaysia and Myanmar, and started music programs for preschoolers in Indonesia. This involved training teachers and designing music curricula suited specifically for each country. She frequently represented Malaysia in various international conferences hosted by Yamaha Music Foundation.

Now residing in London with her daughter, Alice divides her time between sharing her love of music with her students and invigilating examinations and competitions in Europe and the Far East. She believes that music should be played from memory, so that every child has the confidence to perform in any environment at any time, without needing to rely on a score. When children can express themselves freely in this way, it develops their ability to immediately engage their audience, and to derive from the music a personal sense of enjoyment. Also available from Faber Music and FM Dealers